Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Angelika Kauffmann
Selbstbidnis in der Tracht der Bregenzerwalderin mit Pinsel und Palette

ID: 45093

Angelika Kauffmann Selbstbidnis in der Tracht der Bregenzerwalderin mit Pinsel und Palette
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Angelika Kauffmann Selbstbidnis in der Tracht der Bregenzerwalderin mit Pinsel und Palette


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Angelika Kauffmann

1741-1807,Swiss neoclassical painter and graphic artist. From her youth she was known for her artistic, musical, and linguistic abilities. She went to England, where she enjoyed success as a fashionable portrait painter and decorator. A protegee of Sir Joshua Reynolds, Kauffman was one of the original members of the Royal Academy. She often decorated houses designed by the Adam brothers. After her marriage in 1781 to the Venetian painter Antonio Zucchi, she lived in Italy, where she flourished in artistic and literary circles. Reynolds, Winckelmann, Goethe, and Garrick commissioned her to paint their portraits. Representative works include Religion (National Gall., London); Self-Portrait (Staatliche Museen, Berlin); and the etchings of L'Allegra and La Pensierosa. The British Museum has a collection of her drawings and prints.  Related Paintings of Angelika Kauffmann :. | Lesende | Die Kronung Mariens durch die Heiligste Dreifaltigkeit | Bozzetto zu Amor und Psyche | Bildnis der Geschwister Plymouth als Amor und Psyche | Bildnis David Garrick |
Related Artists:
Jose Villegas y Cordero
Spanish, 1848 - 1921
Lorenzo Ghiberti
Italian Early Renaissance Sculptor, 1378-1455
ZIMMERMANN Dominikus
German sculptor, Bavarian school (b. 1685, Wessobrunn, d. 1766, Wies) German sculptor, Bavarian school (b. 1685, Wessobrunn, d. 1766, Wies)Architect, stuccoist and painter, brother of Johann Baptist Zimmermann. For the first two decades of his creative life, from about 1705, he worked mainly as a builder of altars and as a marbler. His most important commission came from the Benedictine abbey of Fischingen (Thurgau), for which he made six artificial marble altars with scagliola inlays (1708-9). Similar altars, mainly in Swabia, are attributed to him or known to be his work; their construction shows the influence of Johann Jakob Herkommer, with whose work Dominikus became familiar while living in Fessen (1708-16). Between 1709 and 1713 he worked with Johann Baptist Zimmermann at the Buxheim Charterhouse, producing artificial marble altars and stuccowork that is characterized by the botanical accuracy of the plant motifs.






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